evoke contemporary logo




Jorge Santos was born in 1959, and spent his childhood in Luanda, Angola on the coast of Africa. In 1975, Angola exploded in the violent political turmoil of decolonization forcing Santos' family to flee the country. At the formative age of 16, Santos found himself thrust into the equally turbulent and unknown culture of Lisbon, Portugal, as that country slid into its own revolution. The national struggle paralleled Santos' own personal one and fueled his passion for drawing. At this early stage, pencil drawing, the most simple and direct form of expression, perfectly suited his complicated and dramatic images and expressed his unique vision ...

Read More

... Santos relocated to the United States in 1982. It was in the United States that his work evolved beyond drawing. His illusory, dreamlike images that hint at bizarre secrets leapt from the drawing board to the full realization of paint and canvas.

In 1990, the self-taught Santos began adding color to his images and in this second period black and white figures stand out in stark contrast to their colored environments. Through the combination of acrylic and pencil on board, or oil and acrylic on canvas, a balance of opposites continued to be the focus of his work. With every painting, a stage of ambiguous illusion is created.

Suddenly, at the end of the millennium, Santos' paintings burst into full color showing a mature command of his artistry. They are still surreal allegorical works but are now tempered with the irony and humor of an eccentric and adventurous mind. Figures are frequently fragmented, boxed within rooms, cardboard containers, or trompe l'oeil frames. An unusual icon will repeat itself with humorous frequency: a fish, a plane, a train ... his characters seem alienated, odd, socially awkward and disconnected; they are disconnected also from their backgrounds by texture and technique. The overall impact of the work is disturbing and yet endearingly funny. While one could spend hours psychoanalyzing Santos' imagery, perhaps the best path to understanding his work is of that of a master set designer who creates an emotional landscape and populates it with characters to be animated in the imaginations of his viewers. Santos sets the stage and creates the cast, but each individual who sees the work writes his or her own internal play, making Santos' work a unique, almost interactive, experience.


Honorable mention, Drawing Competition, Provo, UT, 1990
Outstanding Contribution in the Visual Arts from the City of Torrance, CA, 1989
Excellence Award from the Art Horizons Competition, New York, NY, 1988


Arkansas Art Center, Little Rock, AR
Barneys, New York, NY
Bayshore Capital, Toronto, Ontario, Canada
Bloomingdales Corporation, New York, NY
Dreamworks, Universal City, CA
Eric and Liza Lidow Collection, Los Angeles, CA
Howard A. and Judith Tullman art collection, Chicago, IL
Lasater Mill House, NC
Reading Public Museum and Art Gallery, Reading, PA
Scarlett Johansson Collection
The Nicolaysen Museum, Casper, WY


Available Work

Dry Lake Sirens
oil on canvas, 48 x 72inquiry
Kept Man
oil and acrylic on canvas, 24 x 30inquiry
oil and acrylic on canvas, 48 x 60inquiry
Love Memo
oil and acrylic on canvas, 48 x 60inquiry
Soap Box King
oil and acrylic on canvas, 60 x 48inquiry
Untitled Figure
oil and acrylic on canvas, 24 x 18inquiry

Archive: Sold

Jorge Santos, Ana's Message
Ana's Message
oil and acrylic on canvas, 78 x 58
Jorge Santos, Inner Circle
Inner Circle
oil and acrylic on canvas, 80 x 80
Jorge Santos, Book Worm
Book Worm
oil and acrylic on canvas, 40 x 60
Jorge Santos, Empty
oil and acrylic on canvas, 48 x 48
Jorge Santos, Shipwreck
oil and acrylic on canvas, 76 x 66
Jorge Santos, Untitled
oil and acrylic on canvas, 36 x 36
Jorge Santos, Untitled
Untitled 2
oil and acrylic on canvas, 40 x 30
Jorge Santos, The Other
More Love Letters
oil and acrylic on canvas, 48 x 48
Jorge Santos, Eviction Notice
Eviction Notice
oil and acrylic on canvas, 24 x 18